Basic design; principles and practice by Kenneth F Bates

By Kenneth F Bates

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This information should tally with the position of the shadow. c) The horizontal bands on the ring band define its texture and roundness. The elliptical shadow reinforces this assumption. Here again this object is not drawn from anything real. It is a pure construction using logic and remembered observation. STUDENT ACTIVITY: Find examples of gold, silver, chrome and copper and describe them in terms of reflectiveness, edge and color (light hue and dark hue). GO TO ... htm (2 sur 2) [08/02/2004 16:50:55] Art Lessons - learn how to paint with back light 4-1 HOW BACKLIGHT WORKS ITS MAGIC 1.

This is the most unflattering and not one portrait painters or photographers would push you aside to witness. It must be noted however, fashion photographers, fashion houses, et al, who are intent on finding models that bear a close resemblances to perambulating coat hangers are not adverse to this anorexia look. They however, use it more for purposes of ambiguity and decadent fascination, and that I will explain later on. STUDENT ACTIVITY: Make your own series of four drawings of some part of the human anatomy that ages.

Like good putty front light can cover-up many faults. USING THE JMW TURNER FRONTLIGHT PAINTING TECHNIQUE: (From my 'Arrive Timor' (60" by 36") painting from the Bounty series) 1. On a prepared canvas begin with a thin glaze (stand oil/spirit medium) of yellow with touches of red and blue. (blue suggesting the distance, yellow the middle ground and red the foreground). These thin 'washes' serve as a beginning - the overal plan for solving the problems the subject presents. 2. After drying make light compositional drawing with chalk.

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